Tuesday, April 28, 2015

The state of the (CIJ) Jazzmaster, April 2015

In memoriam of Fender Japan's closing and in recognition that it's been a while since I posted about it, here's the current state of my Japanese Fender Jazzmaster:


Added a tortoise shell pickguard, and re-added the "aged white" pickup covers that I'd tried out and previously removed.

This is more or less the look that I originally wanted back when I bought this guitar in 2007, but I ended up a little bit smitten with the mint pickguard it actually came with. Still, literally the entire reason I wanted a red Jazzmaster with matching headstock was this:


That's one of Kevin Shields' Jazzmasters, as normally played by Bilinda Butcher in My Bloody Valentine. See it in action in the "Soon" video here:


His, of course, was a vintage Jazzmaster with a vintage pickguard - and as anyone will tell you, most modern tortoise shell looks absolutely nothing like vintage. I have a Japanese Jazzmaster which further limits my options. (An American pickguard will fit with some slight mods, but I don't want to drill either into my guitar or into a vintage pickguard.)

My pickguard above is from Allparts. Yes, Allparts pickguards fit Japanese Jazzmasters without mods - in fact, except for their gold pickguard, that is all they fit. The template they use for most of their guards is Japanese, whether they even know it or not.


It is tough to find decent pictures of tort pickguards online (somehow they all end up a blurry mess), so here's what's hopefully a pretty good shot of the Allparts tortoise shell. It is printed tortoise, meaning there's a clear layer of plastic over what's probably a piece of paper with a tortoise pattern printed on it. From far away it looks okay, but up close it's pretty obvious that there's no depth to it. It's very "2D".

This is true of a lot of modern tort, including Fender Japan's official tort pickguards. (Their early pickguards were red printed like this, although I think the Allparts looks better. Their later tort pickguards were brown, but still printed.) Fender's new US pickguards don't look printed, but they're also not "real" tort - they look like they're made with some variation of the swirl painting technique, the same way their "bowling ball" guitar finishes were made.

There's one guy who's figured out how to make real celluloid tort again, just like the vintage stuff, and his nom-de-plume is Spitfire. If you want a vintage-looking pickguard without spending $500+ for one, he's your guy - as long as he's got a template for your guitar. A long time ago in a thread on a guitar forum I read he posted this kind of amazing video about pens, and it seems like that set him off and running. This is how you make real tort:


I'm literally counting the days until he sorts out his Japanese Jazzmaster template, which he's apparently in the process of doing. My Allparts guard is a placeholder.


I'm not sure if you can tell (it's more obvious in the photo at top), but in person I still feel like the pickup cover color is off. See, those knobs there aren't the modern reproductions - those are real vintage knobs from 1966. That's the color they've faded to, not the yellowish brown that Fender's "aged white" really is. Granted, not everything would have discolored at the exact same rate, but usually most of the plastic on any guitar matches.

The stark white Mojotone covers I had, though, didn't look right either on a tort pickguard. I felt that way with my AVRI also; tort needs something a little softer.


My phone whitened up the pickup covers in this photo - damn, I still think this is a beautiful guitar. Just can't wait to slap a Spitfire guard on it!

Sunday, March 22, 2015

Staying on board the RMS Queen Mary

Last month my wife and I did a bunch of stuff I'm only now getting around to writing about. One of those things was a visit to Los Angeles, and we stayed on board the Queen Mary - one of the last true ocean liners still afloat, and the only one left from the pre-war "golden age" of passenger ships.


The Queen Mary sailed from 1936-1967, after which she was permanently moored in Long Beach, CA and refitted as a floating hotel. During her time in service she carried passengers and also made for one of the largest troop ships in history. I've actually stayed on the ship before, back when I was a kid in the 1980's. Funny to realize now that the time between my two stays was longer than the time between my first stay and the ship's final voyage. I'm getting old.


I've always loved history in general and ocean liners specifically. When I was about 10 years old, my dad bought me this book about passenger ships, and I was hooked. It was the period from about 1910-1960 that interested me the most, when the biggest and most beautiful ships sailed and of course, some of the biggest tragedies occurred. (And some of the biggest mysteries - Titanic was found just after I got that book.) Of course it was also my dad who took me on my first trip to the Queen Mary.


The amazing thing about the Queen Mary is that, unlike many other floating museums around the world, she is basically as she was. The hotel operators (who seem to change weekly) have blocked off access to parts of the ship you're not meant to see, but except for some of the lower passenger decks, you're not missing much.

One of the now-blocked staircases.

You can even access the ship's infirmary, its engine rooms, and of course all the first and second class rooms and decks. And whatever updates have been done (mostly shopping and food options) have had to conform to the ship's original design. It's like going back in time.

The ship's "isolation ward", where contagious passengers were kept until arrival in port.

It even sounds like it's still a running ship, especially as you move aft. The important part of this video is the sound:


Most of that's probably the air conditioning system that didn't exist in 1936, but now not only cools the guest rooms but also provides a pretty convincing facsimile of the engines running and water rushing by.


The guest rooms themselves were originally first and second class staterooms, including suites that you can actually book that were once used by royalty and heads of state. We had a standard "deluxe king" booked at a AAA rate, and it seemed to be a pretty standard first class stateroom.

Parts of the ship were remodeled in the 1960's, and it shows - these green wallpapered areas have aged less gracefully than the wood-paneled art deco of the original 1936 decor. There are rooms in both sections of the ship, and it's kind of a crapshoot what you're going to get. Our first room had some wood but was mostly wallpaper; it also had two big portholes and a problematic door to the next room that let in so much sound it was like being part of the other room's conversation.

We asked to change rooms and got one that was actually smaller and less nice but had no between-rooms door and was very quiet. That's the thing with staying here - you really have to accept that you're paying to stay on a historic ocean liner, not a true hotel. The walls are steel and they are paper thin, and the doors between rooms are light and anything but airtight. The windows are real portholes, and some of them work better than others - the ones in our first room would not close.

There are various tours you can take but the ship's worth exploring on your own, and we did.








Almost all of the original etched glass still exists on the ship. Unfortunately a few panels (not this one) have been cracked.

It's definitely worth taking the tour, though, which gets you into a few places that are inaccessible otherwise and of course gives you a little more background on everything you see. If you're lucky, your tour guide will be old and crotchety. Ours was great; one of those guys that seems borderline senile until you slowly realize that it's all an act; just his warped sense of humor.

The first class lounge - not the even bigger dining room. Still a beautiful space. 
The dining room was in use (it's rentable). We caught a glimpse of it on the way out but I didn't get any pictures.

 Amazing metal work. No, that's not a painting. That's embossed and tinted metal.

 Here's our tour guide showing off a panel featuring every wood veneer used on the ship. I think there are 37 in total. This panel is not original to the ship, but they found it at the shop that first worked on the Queen Mary and they had to have it for display.

 This is the forward Observation Bar, still in use as a bar just as it was. The decor is unchanged since 1936, including that painting behind the bar.

 The art deco styling. Apparently everything in this bar is original except the TV's.

More great metal work.

Of course the ship is famous for its "ghost" stories, most of which were probably invented by the hotel to sell tour tickets.

On our first night on board, my wife and I had some of the best seafood we have ever eaten. This was not even at Sir Winston's, the ship's fine dining restaurant, but at the Chelsea Chowder House. This was the Alaskan Halibut (pdf link to the menu).

And this was the bread pudding. Mmmmmmmmmmmm!

On our second day, we visited the interior stern of the ship - this is the one area they seem to have really gutted to create a museum. This would have been where the third class and crew accommodations were.

The engine room, which they've done amazing work to since I last visited. Somewhere I have a photo from this exact vantage point that just shows a big, empty, black room with some dirty machinery still in it. I'm saying you could visit this room in the 1980's, but they had done nothing to it and this is as far as you could go. Nowadays it's freshly painted, nicely lit and there are catwalks all around. You can even walk the length of the propeller shafts all the way to the end and pretend you're in the "Poseidon Adventure" (which was filmed on the Queen Mary).

One deck is full of what seem to be completely handmade models of famous ocean liners - this, obviously, is Titanic. A few of the models are full cutaways on one side.

 We figured out that this is where Jack and Rose would have had their dance scene in the movie. James Cameron made it seem like it was down in the bowels of the ship!

"I'm the king of the world!"

All of the models that I can remember are Cunard White Star line ships - except this random model of the Normandie. From what I gathered the staff on board the Queen Mary seem to have a feeling of kinship (no pun intended) with the Normandie, most likely because of this famous photo and the fate the Normandie suffered just afterwards. It capsized while undergoing the troop ship conversion that Queen Mary had already successfully completed. That first photo is now prominently displayed on the promenade deck and is the first part of the main tour.


Queen Mary is an amazing ship, but I will say she could use a new coat of exterior paint!

Closing with a pointless 360 degree panorama from the stern of the ship.

Wednesday, March 11, 2015

2015 Jeep Cherokee new owner impressions


My wife and I live in the northeast, where brutal winters ensure lots of driving on snow and ice and roads that resemble the surface of the moon more than anything most modern vehicles are designed for. Anyone who says normal people don't need SUV's only needs to endure one winter here to change their mind. Off-roading is supposed to be illegal on New York public lands, but don't tell that to mother nature or the DOT. A paved road around New York City is worse than most dirt roads elsewhere.


Planetwaves Fret Polishing System - works good!

Every guitar eventually ends up with frets that are dirty, dull or even rusty. This is at best unsightly, but it can also make playing harder because the strings can't slide along the frets as easily. There are a bunch of ways you can polish them up, from steel wool to a Dremel to just taking your guitar in to a tech who (hopefully) knows what he/she is doing better than you do. I've tried a few methods myself but today I want to talk about the one thing that really worked for me: D'addario's Planetwaves fret polishing system.


You'll notice that I'm working on my Scandal Haruna signature Telecaster. This is a cheap Indonesian guitar that obviously didn't go through a very good QA process, and mine had rusty frets right from the factory.


The Planetwaves system is basically just a few sheets of extremely fine-grit sand or fiber paper combined with a cutout cardboard fret guide to keep you from sanding your fretboard by mistake. Extremely simple, but that pleases my inner engineer. It also pleased my wallet, because the system costs about $5. It almost seems like something that cheap couldn't possibly be effective.


But it is! It may be a bit hard to see, but first, you should be able to make out that the left half of my frets above are mirror-like and silver, while the right half are still dull and brownish. Yep, I was about halfway done here. Also look at the paper - those black marks on it are rust from my frets.


This is the finished product. It's perfect! I really could not be happier with this system. It does restore your frets to a mirror shine as it says it will.

I later did the same to my Japanese Jazzmaster, which I play most often and its frets seem to dull quickly for that reason. It was a little harder to get them to a mirror shine, but I think that's because of the nature of their dullness, which is from tiny microscratches that accumulate through playing. This system seems to more easily handle dirt or rust than regular fret wear, although it did still help even on the Jazzmaster.

It does take some elbow grease. If you try this, don't give up after just wiping your frets a couple times. You really need to get in there and scrub back and forth vigorously. But the results can really be satisfying.

About This Blog

This is increasingly not a blog about Alphabet City, New York. I used to live in the East Village and work on Avenue B, but I no longer do. Why don't I change the name if I'm writing about Japan and video games and guitars? Because New Yorkers are well-rounded people with varied interests, and mine have gone increasingly off the rails over the years. And I don't feel like changing the name. I do still write about New York City sometimes.

About Me

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I'm married. I like to travel. I have no kids. I have a house... that I'm bad at maintaining. I used to collect classic video games. I'm the proud owner of two Fender Jazzmasters, a Gretsch G5422DC, and a Fender Twin Reverb amp - all musical equipment far better than my ability to use it. When I was younger, I was in a band. I like gadgets, and I'm an Android guy. Someday, I would like to go to outer space.

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