Saturday, July 11, 2009

Japan Trip 2009: Hula Girls!

(I wrote this more than a month ago!)

I'm sitting in the parking lot of Spa Resort Hawaiians in Iwaki City, Japan. Why sit in the parking lot writing a blog post while the rest of my wife's family enjoys themselves inside? Well, let's just say the place is climate controlled. For tropical weather. It's the kind of place where street clothes are actively discouraged, and unfortunately, I wasn't ready to get my bathing suit on. I'll spare you the photos of the sweat stains and the goofy American guy walking around in Doc Martens while the rest of the place goes barefoot. (Honestly, though, I wasn't the only guy there who was overdressed.)


So why the hell did I come here in the first place?


For the Hula Girls!

One of the goofy Japanese chick flicks my wife coerced me into watching was about this place. As usual, I think I ended up liking it better than her, even though it's totally manipulative and sappy. Still, it really was a true story - pretty much all of it, apparently - and that makes it a little easier to take at face value.

This used to be an isolated coal mining town, until the coal ran out and the mining company moved away. The government's bright idea to save the town was to build an indoor theme park modeled on Hawaii. The showpiece would be a hula dance troupe made up of girls from around the towns of Joban and Yumoto. Given that nobody in this conservative little town had any experience doing anything except mining coal, a lot of people obviously thought this was a crazy idea. But, well, it wouldn't be a very good movie if it ended there, right?

So a cosmopolitan but otherwise washed-up dance teacher arrives from Tokyo, at first much too diva-ish for this little town full of men and women who still think showing a little ankle is taboo. But eventually her group of spunky wannabe dancers wins her over, and with her help they convert the rest of the town into believers. And waddaya know, it works. The Joban Hawaiian Center (as it was called back then, and is still colloquially called now) saves the town, with the Hula Girls drawing massive crowds.

More than 40 years later, they still do.

Here's the kinda lame trailer to the movie:



I'm not sure if the girls are all still from around town. They don't really look it - they look Polynesian, although some of that's obviously just makeup and hair style. But they're clearly professionals now - I mean, this has been a famous dance troupe for decades at this point.

There are two big dance shows per day, plus a few smaller ones sprinkled throughout (there's one just for kids). We went to the early show, which probably isn't quite as elaborate as the later one, but it was just too hot to even consider staying. I mean I know I talked about it already, but walking in there from outside is like a slap in the face every time. It's like hitting a wall of humidity. Honestly, I've been to Hawaii, and Hawaii is not like this. I wasn't sure I'd even make it through the show. I had to prepare - we bought a Chinese-style fan ($16), a towel ($5), and a bottle of water ($1.50) before I could sit in any semblance of comfort. My wife wasn't quite so bad - I did fan her a bit too, but it's like this in late summer everywhere in Japan, so she's kind of used to it.

It was worth it, though. Hula is one of those dances that's hard to really get until you see it live (though the movie version's pretty good too). It is amazing how those girls move. It is a sexy dance. And actually really graceful too; it's not all booty-shaking like you usually see on TV, though there was plenty of that in the finale. It's kind of like a combination of ballet and pole dancing.



I have to mention the fire guys too, who may well have been in the movie for all I know, but I don't remember. But they were amazing, doing the whole fire baton twirling thing, really really fast, without making any mistakes whatsoever. Totally perfect, all three of them, and each also doing crazy stuff like licking the fire, or grabbing the fire on one end of the baton and setting fire to the other end with their bare hands.



If you do actually come better prepared than we did, there's a lot of other stuff to do at this place - water slides, wave pools, etc. There's also a real spa, as the name suggests, an arcade, various restaurants, and a hula museum, most of which is more specific to the Hawaiian Center than hula in general. They've got a big exhibit on the movie too - these are some of the real costumes the characters wore:


Oh, one thing - the movie apparently wasn't filmed here, but it looks really similar. They've changed the configuration since the 1960's anyway, and the photos in the museum from that era look almost exactly like the movie. It's uncanny. Watching the show really felt like being in the movie, even with the stage facing the opposite way. I highly recommend the movie, and I even more highly recommend seeing the show live if you can.

If you do go, you really need to stop at Papa bakery on the way out. Japanese bread is a whole post unto itself (hmmmmm...) and this is some of the best I've ever had.

That's a melon pan, a curry pan, a cream puff, and some other stuff for the family. Really, really yummy.

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Monday, July 06, 2009

My guilty pleasure... again

I'm currently obsessed with this song, which is, as near as I can tell, brand new:

video

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This is so cute that you will make a funny face unintentionally.

Do I even need to tell you that the Japanese make the cutest robots?

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Sarah Palin's true state of mind?

Found on Gawker, apparently by way of artist Zina Saunders, this soon-to-be iconic image of Sarah Palin:

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I have been derelict in my duties.

Sheesh, I've been back from Japan for like a month already (hard to believe!) and I still have about five posts to write. A few of them are actually sitting in draft here - one of them I actually wrote in a parking lot in Japan and I still haven't put it up!

I'll get to everything. This store thing has got us all tied up in knots right now; there's just a lot of stuff to do, it's never-ending. I actually can't see when I'm going to have a real break from it, but I do make tiny bits of progress on other parts of my life here and there. I just need to actually finish some of these blog posts at some point.

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Saturday, June 20, 2009

Japan Trip 2009: Ushiku Daibutsu


This is one of those things I've been meaning to do on every trip I've ever taken to Japan and have never gotten around to before.

The Ushiku Daibutsu is the tallest bronze statue in the world. It used to be the tallest statue of any kind in the world, but that title now belongs to another Buddha statue in China (made of copper). Ushiku Daibutsu is in my wife's prefecture, and we've driven by it a whole bunch of times but never actually gone up there. It's kind of like how I'm within sight of the Statue of Liberty pretty much every other day so I never think to actually visit it; my in-laws are the same with this. But we finally went this time, at least for 10 minutes or so. (We didn't have time to go inside, though you can go up to the top and look out through slits in the Buddha's chest.)

This thing is huge. It's difficult to capture its scale in pictures. That concrete base alone is three stories high. The statue itself is three times taller than the Statue of Liberty and 30 times larger by volume. I heard some other westerners saying "what's the point?" as they were looking at it, but that's like asking "what's the point of a temple?" or "what's the point of a cathedral?" It is a religious thing, not just a tourist destination.

I didn't just go there because it's a big statue, though. No, I went there because of course, this was the setting for the final battle scene of one of my favorite movies!


That's the ending of "Kamikaze Girls", which is about a Lolita and a Yanqui girl who react very differently to the boringness of Ibaraki prefecture (and let's face it, it is boring), but who end up best friends. At the end of the movie, they need to fight their way through an all-girl biker gang, meeting up at Ushiku Daibutsu.

We actually looked for the exact spot where they filmed this but we couldn't find it, mostly because we forgot what the actual view of the statue was in the movie. We were looking everywhere but this side. I don't think you can actually get to that location from inside the statue grounds anyway; you can see that even in the movie, it's fenced off. It's probably not empty anymore either; I think they cleared this area just for filming. I definitely didn't see any clearings like this anywhere around the statue. (If you look at the Google map aerial view of this area, you can see where the filming must have taken place, and that land seems to have some sort of use.)

Ah well. Still was fun, though, and an impressive sight. Nothing like this exists in the United States, not on this scale.

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Saturday, June 13, 2009

Japan Trip 2009: MOSDO!

I wrote about the MOSDO donut burger before our trip - of course, it was one of the first things on our itinerary. I'm actually at that weird stage right now where I'm looking at all my photos that I took for blog posts and thinking "did I really do that? Was I actually in Japan two weeks ago?" It already no longer seems quite real as I settle back into my normal routine. But anyway...



I thought you had to pick one version, but no - they give you both. They're tiny, so it works out.



Here's a "potedo", the fries that are available with it, complete with ketchup:



I admit I didn't realize that yes, that's real ketchup. That was kind of an odd taste sensation - I was expecting it to be some kind of cherry or strawberry thing (it's a freakin' donut!) but no, as it hit my tongue I got that tang and salty taste and I was momentarily confused.

The MOSDO itself is actually pretty good, and not too sweet like I was worried it would be. The "bun" is not really sweetened at all, so it really is just like a piece of soft bread, then the chocolate "patty" is really just a chocolate bar, then there's some foam and sauce where most of the sweetness comes from.

I also didn't realize that MOS Burger also has their own MOSDO - this is not a one-way thing.



In a way it's actually kind of a ripoff, because they're just cutting a hole in the middle of the meat. But they do also give it a new flavor, which seems totally unrelated to it supposedly being a "donut", but whatever. It's "wasabi" flavored, which I actually thought was really good.



See, they stick it right in the hole. (Also underneath the rest of the meat.)

I put "wasabi" in quotes because I don't think that's really what it is - you can see it's white, and it tasted to me like regular horseradish. I don't know if the Japanese really know what western horseradish is, though, so they just call it "wasabi" (which is a kind of horseradish anyway). Or maybe they do know, and they just thought calling it wasabi would sell better.

In any case, like other spicy stuff in Japan, they're not messing around. This burger will burn your eyebrows off and make steam come out of your ears. Yeah, it was good. Though not good enough to supercede my default spicy MOS burger, which I went back to on subsequent visits.

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Thursday, June 11, 2009

Japan Trip 2009: Quarantine!

I'm falling behind on my Japan trip report, so I figured I'd better post this now given that it's already getting pretty obsolete:


I'd heard that Japan was being a little paranoid about the H1N1 swine flu virus (ironic, given that regular old non-swine flu seems to be their biggest problem), and sure enough, when we landed at Narita our airplane was quarantined before we were allowed off.

What this meant was that we all had to sit down and wait as a group of doctors in full protective bio-suits roamed up and down the plane looking for people who they thought might be sick. It was like something out of a Spielberg movie, and I really wanted to take photos of these people but I was afraid that'd be an excuse for them to pull me off the plane. I did at least get the souvenir "You were quarantined!!" notice pictured above.

The funny thing was there seemed to be no scientific methodology to whatever these doctors were doing. I suppose they were looking for anyone sweating, or coughing, or pale, or whatever. But surely this disease has an incubation period, or symptoms that can be hidden in the early stages - I mean, can you really control a virus by just looking at people to see if you think they're sick? It all seemed pointless.

Anyway, it didn't take long, and it gave me a little story to tell.

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Wednesday, June 10, 2009

Ugh...

So I came home from Japan with a fever, an awful cough and probably the most clogged sinuses anyone's ever had ever. I swear, they make a big deal out of wearing surgical masks whenever they're sick over there, but I have never seen so many obviously sick people in my life and they seem to see the mask-wearing as an excuse to cough all over the place without covering their mouths. I got coughed on more often on this Japan trip than I can remember. And I got really sick because of it.

Anyway, I've got a lot of stuff to write and some other stuff that's already written and that I just need to organize images and whatnot into. So I'll start posting more on my Japan trip soon, probably tomorrow...

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Thursday, June 04, 2009

Sigma 18-50 2.8-4.5 DC OS lens hands-on


UPDATE: New shots are below!

I just wanted to post something quick about this, because I know a lot of people (including myself) have been waiting for this lens, and I just happened to find it here in Japan, at one particular Yodobashi Camera, available only in a Canon mount. It was right at $300 (29,800 yen).

I haven't had a chance to do any exhaustive tests so far but generally I'm really happy with it as an upgrade to my old Rebel XT kit lens.

Pros:

* Built like a tank, at least for a consumer-level lens (looks almost exactly like their 18-50 f/2.8 EX lens, minus the gold stripe)
* Image stabilization works really well
* Non-rotating front element
* No lens extension during zoom - all movement is internal
* Hypersonic motor is very quiet (though not silent, nor all that fast)
* Includes a hood

Cons:

* Actually slightly less sharp in the corners than my kit lens (though I've been told I had an exceptional copy of the old Canon 18-55 non-IS)
* Corner sharpness is noticeably lower than center sharpness
* Heavy

UPDATE: I'm posting some new comparison photos that I think better show what this lens is really all about optically than the one shot I had here previously.

These were taken in my backyard and have not been retouched at all. So some of the exposures are not exactly right, white balance might be a bit off, etc. I did not want to damage the purity of the images as the lens saw them. The shots were all taken on a tripod, using a delayed exposure (completely hands-off), using AF. I also took shots using MF but didn't do any better on a consistent basis - I will say the comparisons themselves were the same (the "winner" at any given aperture did not change based on whether I used AF or MF). The Canon lens used as a comparison is the 18-55 non-IS kit lens, which might have some slight differences to the IS version beyond the obvious, but they perform similarly in the tests I've seen. But you can keep that in mind, at least.

My thoughts on what the shots show are below.

Clicking the thumbnails will take you to that image on Photobucket, where you can view them at 100% full size (just click anywhere on the image once it opens in Photobucket). I know, kind of clunky to compare shots, but that's why God invented tabbed browsing :)

Sigma @ 18mm f/5.6:
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Canon @ 18mm f/5.6
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Sigma @ 50mm f/5.6
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Canon @ 55mm f/5.6
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Sigma @ 18mm f/8
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Canon @ 18mm f/8
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Sigma @ 50mm f/8
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Canon @ 55mm f/8
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Sigma @ 18mm f/11
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Canon @ 18mm f/11
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Sigma @ 50mm f/11
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Canon @ 55mm f/11
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Sigma @ 50mm f/8
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Canon @ 55mm f/8
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Now, the stuff I know a lot of you guys are waiting for - a couple of wide open aperture shots. Clearly the Sigma lens is not as sharp there, but my thoughts on that after the photos.

Sigma @ 18mm f/2.8
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Sigma @ 18mm f/2.8
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Sigma @ 18mm f/3.5
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The interesting thing is how much sharper the Sigma lens is at f/3.5 than f/2.8. It's almost like they designed the lens for 3.5 and then just widened it to give it better specs, even though the lens is obviously not happy about it. (I'm not sure if that's really possible.)

One thing I will say is that you would obviously only be using f/2.8 in low light handheld situations, which this really was not. In low light when shooting handheld, you're going to be a lot more satisfied with "acceptable sharpness", especially from a consumer level lens. With a lens that has no OS and can only open up to f/3.5, you will have a hard time shooting handheld even acceptably in low light. With this lens, the f/2.8 coupled with the OS gives you the ability to shoot in very low light without unnecessary blur from camera shake, although you will not get "tack sharp" images out of it no matter what you do at that aperture.

Sigma @ 50mm f/4.5
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Compare to the similar shot above. Again, it is noticeably softer at 4.5 at this end of the zoom than at f/8 or f/11, which is really its sweet spot.

Generally I am really happy with this lens, and if you look at the overall lens market, I think Sigma did what they needed to do here. This is not an EX lens designed to compete with Sigma's own 18-50 f/2.8. It is designed more to fill a hole just above Canon's cheap 18-55mm kit lens, and it costs about $100 more. The optical quality of the two lenses is about equivalent - the Sigma may be slightly sharper in the center at certain apertures, the Canon better in the corners.

For that extra $100, though, you are getting much better build quality, an included lens hood, a non-telescoping zoom, a non-rotating front element, and (from what I've read, at least), more capable image stabilization. You're also getting a wider aperture, though whether or not that's really useful given the performance is up to you (though I know I will be happy to have it when I need it). I personally think all of that is easily worth the extra cost over the Canon lens.

The other major difference between the Canon and Sigma lenses are that the Canon seems to be at its best at f/5.6, whereas the Sigma is at its best at f/8 or f/11. A lot of people will find the Canon sweet spot to be more useful in more situations, and I don't disagree with that. It's kind of odd - and my one real criticism of the Sigma lens - that its specs suggest it is designed for low light, but it's really happiest in bright light. Still, that isn't unusual for Sigma, who often seem to design their lenses this way.

Summing up, I can highly recommend this lens given the price, but you shouldn't be expecting EX (and certainly not Canon L class!) performance. It is what it is - a better quality alternative to Canon's 18-55 IS.

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About This Blog

This is not a blog about Alphabet City. Why do I call it that if I'm writing about Japan and video games and films? Because New Yorkers are well-rounded people with varied interests. Consider this a sampling of thoughts from a (former) downtown New Yorker. Oh, and I do write about New York City sometimes too.

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