(More pics down below.)
Seems like I'm on a spending spree lately, doesn't it? The truth is my wife and I go without a lot of things that most people consider impulse buys - for example, we're a one car family, we don't travel much, and I've been wearing some of the same jeans since college. So we maybe save a little more than most people, which means we can splurge every once in a while.
When I was in high school, I played bass guitar. I had a band; we were pretty popular in my local area, and we played a lot of gigs and recorded a full-length demo tape in a local studio. Before that, I'd played alto saxophone since I was about 8 years old, so music's been in my blood for a long time. After my band broke up, I sort of toiled away by myself on a beat up old Gibson acoustic guitar that a girl had given me a few years earlier (don't ask) until I finally sold it about 4 years ago to help pay for a move. The last 4 years have been the longest I've been without a musical instrument since before junior high.
About 15 years ago, when I was still in college, I got my first taste of My Bloody Valentine. Their album Loveless absolutely blew my mind, with its unbelievably heavy and noisy bent power chords that somehow still managed to be melodic and satisfying and occasionally even a little groovy. I never knew music like that was possible. I resolved at that time to put together another band and just outright rip off their sound. Why not? Nobody else sounded like that; I figured it was as good a starting point as any.
As a huge bonus, I found out that Kevin Shields and Bilinda Butcher - the band's two guitarists - played Fender Jaguars and Jazzmasters, two guitar models that were no longer made because they were so unpopular, despite being absolute top of the line guitars in Fender's lineup. They were part of Fender's offset waist guitar line, designed to be more comfortable to play when sitting down. Nobody wanted them, yet these guitars, with their floating tremolo system and warm pickups, were largely responsible for this band's sound! Their imperfections - an abundance of feedback, occasional buzzing from the strings - could only add personality to this kind of music. I walked around my neighborhood and found a local store with two vintage models for under $500 each. That was too much for my college student financial situation, but it seemed like once I got a real job, I'd have no problem whatsoever replicating that sound.
Fast forward a couple years and prices for vintage Jazzmasters and Jags had gone through the roof. I'd missed my chance, largely because of the success of bands like My Bloody Valentine, Sonic Youth and Dinosaur Jr., most of whom also started out with the guitars because they were cheap. No more. My idea of ripping off MBV's sound was apparently not very unique, as demand for these guitars skyrocketed with both upcoming musicians and the collector market now involved. I put off my purchase indefinitely.
In the early 1980's, various companies had begun ripping off Fender's designs and selling outright copies to the Japanese market. Americans got wind of this as Jazzmaster prices took off and started importing the cheap but well-made Japanese models. In fact, one of Kevin Shields' early "Jaguars" was a Japanese copy - you can see him play it in the video for "Only Shallow". (He also owned a Japanese Jazzmaster.)
Some of the copies were so good that Fender actually went ahead and licensed production to Greco, one of the copy makers, who from then on were able to sell their copies as real Jazzmasters, Jaguars and whatever else they made under the name "Fender Japan". Obviously, with that licensing came certain further modifications to the guitars to bring them more in line with the American-made versions.
These days, Fender USA has put the Jazzmaster and Jaguar back into production due to increased demand, in the "American Vintage Reissue" line (often referred to in shorthand as "AVRI"). Prices start at $1,450 street for a new American model, while a vintage guitar will set you back $2,000 or more. (Since I wrote this post, Fender has also released a line of Mexican-made offset guitars.) Meanwhile, Fender Japan sells their Jazzmasters for 70,400 yen street, or around $600 before shipping (which can be significant). These are commonly referred to as "CIJ" Jazzmasters, for the "Crafted in Japan" stamp on the neck. (Earlier versions said "Made in Japan" and were referred to as "MIJ" models.)
There are some differences, though only a few are really meaningful. MIJ/CIJ Jazzmasters can easily be modified to be more or less the same as the American models, if you so desire. The overall build quality is already pretty much the same - meaning excellent.
One really nice thing about the Japanese models is that they're sold in color combinations that haven't been offered in the US for 30 years. If you want a new candy apple red guitar with matching headstock, you have no choice but to buy Japanese (though the current candy apple red is intentionally a bit darker than the original - looks really nice, though!). That was definitely what I wanted, based on this:
Beautiful! Hell, Bilinda could be playing a Japanese Jazzmaster there, for all I know.
At this point in my life, it's not so much that I want to copy MBV's sound anymore, and I'm probably not going to start a band - although never say never. It's more that I've just been away from music for too long... and it's always been a dream of mine to own this guitar. I'm planning on setting up a cheap home PC recording studio and recording my own stuff to post online, and who knows what after that. I can play guitar, bass and I'll figure something out with the singing... drums can be handled with computer samples. (Hey, I never said I'd be making vintage rock and roll here.)
Without further ado, some "unboxing" pics, especially for those of you wondering what you get when you order a Jazzmaster from Japan (I ordered mine from Ishibashi, who were very nice and helpful).
Japanese Jazzmasters come in a box, not a case. Mine was packed with an obscene amount of bubble wrap, secured so well that it took me 30 minutes to get it off:
FRA-GI-LE - must be Italian!
JM66-88 is the model number of the Japanese Jazzmaster, btw, and OCR is the color (Old Candy Red). Notice the serial # is on the box - you never know if this is gonna matter to collectors in the future! Keep that box! :)
More bubble wrap inside:
In lieu of a case, Fender Japan Jazzmasters come with a "gig bag". It's actually not quite as much of a joke as I was expecting - it'd work as a dust shield for extended storage, I guess - but yeah, it offers no protection to the guitar whatsoever:
Still, it's not like the handles are going to fall off or anything. You can carry the guitar around with this bag. Just don't bang it into anything.
Inside the gig bag, more packing material. Fender Japan is nothing if not thorough with the packaging:
Finally, the guitar itself!
It's really hard to see because my digital camera keeps wanting to turn the pickguard white, but the guard is actually "mint". It's very light green. This was a pleasant surprise, because it just adds a little more uniqueness to the design. I actually wanted red tortoise, and will probably still change it at some point, but I like the red and green combo. It's like Christmas!
Again, looks white but it isn't... bridge view:
You can see a little more difference between the guard and the white pickup covers and knobs here... still doesn't quite capture it, though (also noticing I've got a dusty camera sensor, grrr):
The matching headstock:
Part of the instruction manual - yeah, it's all in Japanese. This manual applies to all Fender Japan guitars, so you've got explanations of the pickups for all models on the left here, and explanations of the different types of tremolo systems on the right:
My Jazzmaster sitting on my dining table, where I happened to unbox it:
The tremolo unit - and no, the arm isn't quite in the socket all the way, I was a little too afraid to force it at this point! (I did get it to fit later):
On its stand, still with the protective plastic half-on the pickguard. Interestingly, this stand came with a warning label that said "not recommended for use on guitars with nitro-cellulose finishes", which would mean all Fender USA models. Mine should be fine, though:
The serial # on the neck:
The tuners - and you can see how the shiny poly finish extends up through the back of the headstock... it's a little different feel having the back of the neck finished like that:
Here she is with the plastic finally off the pickguard:
The mint pickguard does look a lot different depending on the angle of the light reflecting off it - it's pretty cool. This was taken right after the photo above:
And in the hands of a guitar god (yeah, right):
Well, that's it... now to start practicing!
SECOND UPDATE! Some time ago, Fender USA (aka FMIC) put a prohibition on exports of Fender Japan instruments to the USA. This meant that you couldn't buy a new Jazzmaster from Ishibashi as I did. However, according to this thread at offsetguitars.com, that ban has now been lifted on sales for "personal use". Good news!